PATNA, India – Perched high on a rooftop amid the pollution and noise of a vibrant Indian city, a new kind of superhero listens for signs of the enemy.
His ears tuned to an array of elaborately curved trumpets, Bulgam Bhai strains to hear the ever-present danger and then pounces. When an Indian coughs, this jocular public health avenger — all candy stripes and waxed mustache –- appears in a flash with a potentially life-saving question:
“If you don’t blow your own horn, there is no music,” Jimmy Breslin, that great id of New York newspapering, said more than once (and I’ve quoted him more than once). And so: Here’s The Black Nile, profiled in The Egypt Independent. The book, “with its attention to fact and suspension of easy judgment, is the farthest kind of work from #Kony2012,” says James Purtill. And here’s The Black Nile on the summer reading list of India’s Sunday Standard magazine. And, lastly, an unexpected plug from indie publicist LuxLutus. More soon.
Two new pieces at the New York Times/International Herald Tribune: A River Runs Through It weighs the odds of a $40 billion cleanup of the Ganges River. The Gandhian Knot looks at the use and misuse of Gandhi’s name and image — and the takeover of a Gandhian institution by right-wingers.
This piece first appeared at National Geographic, and was updated Saturday night.
G.D. Agrawal is determined to die.
“At the moment I am quite resigned to my fate,” Agrawal, the 80-year-old dean of India’s environmental engineers, tells me by phone from his hospital bed in the holy city of Varanasi.
Agrawal hasn’t eaten since February 8. He hasn’t taken a drink of water since March 8; an intravenous drip of dextrose and vitamins keeps him lucid.
The release this week of the video Kony 2012 and a viral social media campaign by the American NGO Invisible Children has jacked awareness of the vicious Ugandan rebel group the Lord’s Resistance Army into the stratosphere. It’s also provoked a significant backlash from experts who say the film is simplistic, manipulative, and that it narcissistically focuses on the filmmakers themselves over their African subjects. Invisible Children has responded to some of that criticism, and debate over the film and its prescriptions continues across the web, much of it under the Twitter hashtags #Kony2012 and #StopKony.
From a “nomad who pursues every form of transportation imaginable to follow Africa’s longest river,” The Black Nile is “an evocative piece of reporting…a portrait of a fractured country just one spark away from a renewal of hostilities.” –Joshua Hammer, The New York Times Sunday Book Review
Beautifully written. A masterful narrative of investigative reportage, travel writing, and contemporary history. . . . The Black Nile is all at once thrilling, sad, and—most of all—thoughtful. —The Daily Beast
Dan Morrison takes the reader on an incredible journey in The Black Nile. Weaving together intense travel writing and history, he has produced a supremely entertaining work, and also an important one. —David Grann, author of The Lost City of Z
Part On the Road, part Fear and Loathing in Africa, Dan Morrison takes us with him on his journey down the Nile–teaching us, by example, to be explorers of both the world and ourselves. —Kevin Sites, author of In the Hot Zone: One Man, One Year, Twenty Wars
When Franklin Roosevelt appointed the business titan and former bootlegger Joseph Kennedy to head his new Securities and Exchange Commission in 1934, the U.S. president famously bragged that he had “set a thief to catch a thief.” If India’s politicians follow this strategy, its most populous state will be crime-free in no time.
At least ten state assembly candidates in Uttar Pradesh are presently in jail awaiting trial on charges that include murder and racketeering. In the current assembly, 139 out of 404 legislators are free while facing criminal charges.
The song was Two States, by the band Pavement. The words were simple, the music jaunty and driven.
Two states. We want two states.
North and south. Two states.
Forty million barrels!
Forty million barrels!
The lyrics seemed shockingly, if accidentally, appropriate to the break-up of Africa’s biggest country, and the high-stakes competition for the valuable oil located on Sudan’s contested north-south border. I grinned as the song persisted during my travels in Khartoum, Malakal, and Juba. After decades of civil war and life as second-class citizens, more than 98 percent of southern voters chose to leave Sudan and become masters of their own destinies.
But the chorus I recalled was wrong, misheard many years ago and never corrected.
The accurate chorus, tragically, is perhaps more fitting to the independent Republic of South Sudan than those I had imagined. It goes: